1. John Gardner
John Champlin Gardner Jr. (July 21, 1933 – September 14, 1982) was an American novelist, essayist, literary critic and university professor. He is perhaps most noted for his novel Grendel, a retelling of the Beowulf myth from the monster's point of view.
Gardner's best known novels include: The Sunlight Dialogues, about a brooding, disenchanted policeman who is asked to engage a madman fluent in classical mythology; Grendel, a retelling of the Beowulf legend from the monster's point of view with a philosophical underlying; and October Light, about an aging and embittered brother and sister living and feuding together in rural Vermont. This last novel won the National Book Critics Circle Award in 1976.
Gardner was a lifelong teacher of fiction writing. He was a favorite at the Bread Loaf Writers' Conference. His two books on the craft of writing fiction—The Art of Fiction and On Becoming a Novelist—are considered classics[citation needed]. He was famously obsessive with his work, and acquired a reputation for advanced craft, smooth rhythms, and careful attention to the continuity of the fictive dream. At one level or another, his books nearly always touched on the redemptive power of art.
In 1978, Gardner's book of literary criticism, On Moral Fiction, sparked a controversy that excited the mainstream media, vaulting Gardner into the spotlight with an interview on The Dick Cavett Show (May 16, 1978) and a cover story on The New York Times Magazine (July, 1979). His judgments of contemporary authors—including such luminaries of American fiction as John Updike and John Barth—which could be termed either direct, courageous, or unflattering, depending on one's perspective, harmed his relations with many in the publishing industry. Gardner claimed that lingering animosity from critics of this book led to the lukewarm critical reception of his final novel, Mickelsson's Ghosts. What was seemingly lost in the furor over On Moral Fiction was Gardner's central thesis: that fiction should be moral. Gardner meant "moral" not in the sense of narrow religious or cultural "morality," but rather that fiction should aspire to discover those human values that are universally sustaining. Gardner felt that few contemporary authors were "moral" in this sense, but instead indulged in "winking, mugging despair" (to quote his assessment of Thomas Pynchon) or trendy nihilism in which Gardner felt they did not honestly believe.
Gore Vidal found the book, as well as Gardner's novels, sanctimonious and pedantic, and he called Gardner the "late apostle to the lowbrows, a sort of Christian evangelical who saw Heaven as a paradigmatic American university."
Gardner inspired and, according to Raymond Carver, also intimidated his writing students. At Chico State University, when Carver, who was almost five years younger, mentioned to Gardner that he had read but not liked the assigned short story, Robert Penn Warren's "Blackberry Winter," Gardner said, "You'd better read it again." "And he wasn't joking", said Carver, who related this anecdote in his foreword to Gardner's book On Becoming a Novelist. In that foreword, he makes it clear how much he respected Gardner and also relates his extraordinary kindness.
Gardner taught at Southern Illinois University at Carbondale, and spent the years before his death as a professor at Binghamton University.
2. A Rose for Emily
"A Rose for Emily" is a short story by American author William Faulkner first published in April 30, 1930 issue of The Forum. The story takes place in Faulkner's fictional city, Jefferson, Mississippi, in the fictional county of Yoknapatawpha County. It was Faulkner's first short story published in a national magazine.
3. Beowulf
Beowulf is an Old English epic poem consisting of 3182 alliterative lines. It is the oldest surviving long poem in Old English and is commonly cited as one of the most important works of Old English literature. It was written in England sometime between the 8th and the early 11th century. The author was an anonymous Anglo-Saxon poet, referred to by scholars as the "Beowulf poet".
The poem is set in Scandinavia. Beowulf, a hero of the Geats, comes to the aid of Hrothgar, the king of the Danes, whose mead hall in Heorot has been under attack by a monster known as Grendel. After Beowulf slays him, Grendel's mother attacks the hall and is then also defeated. Victorious, Beowulf goes home to Geatland (Götaland in modern Sweden) and later becomes king of the Geats. After a period of fifty years has passed, Beowulf defeats a dragon, but is fatally wounded in the battle. After his death, his attendants cremate his body and erect a tower on a headland in his memory.
The full poem survives in the manuscript known as the Nowell Codex, located in the British Library. It has no title in the original manuscript, but has become known by the name of the story's protagonist. In 1731, the manuscript was badly damaged by a fire that swept through Ashburnham House in London that had a collection of medieval manuscripts assembled by Sir Robert Bruce Cotton.
4. Frame story
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| Example of frame story |
A frame story (also known as a frame tale or frame narrative) is a literary technique that sometimes serves as a companion piece to a story within a story, whereby an introductory or main narrative is presented, at least in part, for the purpose of setting the stage either for a more emphasized second narrative or for a set of shorter stories. The frame story leads readers from a first story into another, smaller one (or several ones) within it.
5. Vocabularies
1) antihero: a main character in a book, play, or film who is an ordinary or unpleasant person and lacks the qualities that you expect a hero to have
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