1.Tomboy
A tomboy is a woman or girl who exhibits characteristics or behaviors considered typical of a boy (or in a very rare case a man), including wearing masculine clothing and engaging in games and activities that are physical in nature and are considered in many cultures to be unfeminine or the domain of boys. Tomboy, according to the Oxford English Dictionary (OED), "has been connected with connotations of rudeness and impropriety" throughout its use.
2. Bildungsroman
3. Coming-of-age story
In genre studies, a coming-of-age story is a genre of literature and film that focuses on the growth of a protagonist from youth to adulthood ("coming of age"). Coming-of-age stories tend to emphasize dialogue or internal monologue over action, and are often set in the past. The subjects of coming-of-age stories are typically teenagers. The Bildungsroman is a specific subgenre of coming-of-age story.
4. Antagonist
An antagonist is a character, group of characters, institution, or concept that stands in or represents opposition against which the protagonist(s) must contend. In other words, an antagonist is a person or a group of people who opposes a protagonist.
5. Protagonist
A protagonist (from Ancient Greek πρωταγωνιστής (protagonistes), meaning "player of the first part, chief actor") is the main character in any story, such as a literary work or drama.
The protagonist is at the center of the story, should be making the difficult choices and key decisions, and should be experiencing the consequences of those decisions. The protagonist should be propelling the story forward. If a story contains a subplot, or is a narrative that is made up of several stories, then there may be a character who is interpreted as the protagonist of each subplot or individual story.
The word protagonist is used notably in stories and forms of literature and culture that contain stories, which would include dramas, novels, operas and films. In those forms the protagonist may simply be the leading actor, or the principal character in the story. More formally, the protagonist, while still defined as a leading character, may also be defined as the character whose fate is most closely followed by the reader or audience, and who is opposed by a character known as the antagonist. The antagonist will provide obstacles and complications and create conflict that test the protagonist, thus revealing the strengths and weaknesses of their character.
6. Charles Perrault
Charles Perrault (French: [ʃaʁl pɛʁo]; 12 January 1628 – 16 May 1703) was a French author and member of the Académie Française. He laid the foundations for a new literary genre, the fairy tale, with his works derived from pre-existing folk tales. The best known of his tales include Le Petit Chaperon Rouge (Little Red Riding Hood), Cendrillon (Cinderella), Le Chat Botté (Puss in Boots), La Belle au bois Dormant (The Sleeping Beauty), and Barbe Bleue (Bluebeard). Some of Perrault's versions of old stories may have influenced the German versions published by the Brothers Grimm more than 100 years later. The stories continue to be printed and have been adapted to opera, ballet (such as Tchaikovsky's The Sleeping Beauty), theatre, and film. Perrault was an influential figure in the 17th-century French literary scene, and was the leader of the Modern faction during the Quarrel of the Ancients and the Moderns.
7. Nursery Rhyme
A nursery rhyme is a traditional poem or song for children in Britain and many other countries, but usage only dates from the late 18th/early 19th century. In North America the term Mother Goose Rhymes, introduced in the mid-18th century, is still often used.
The oldest children's songs of which we have records are lullabies, intended to help a child sleep. Lullabies can be found in every human culture. The English term lullaby is thought to come from "lu, lu" or "la la" sounds made by mothers or nurses to calm children, and "by by" or "bye bye", either another lulling sound or a term for good night. Until the modern era lullabies were usually only recorded incidentally in written sources. The Roman nurses' lullaby, "Lalla, Lalla, Lalla, aut dormi, aut lacta", is recorded in a scholium on Persius and may be the oldest to survive.
Many medieval English verses associated with the birth of Jesus take the form of a lullaby, including "Lullay, my liking, my dere son, my sweting" and may be versions of contemporary lullabies. However, most of those used today date from the 17th century. For example, a well known lullaby such as "Rock-a-bye, baby on a tree top", cannot be found in records until the late-18th century when it was printed by John Newbery (c. 1765).
8. Humpty Dumpty
Humpty Dumpty is a character in an English nursery rhyme, probably originally a riddle and one of the best known in the English-speaking world. He is typically portrayed as an anthropomorphic egg, though he is not explicitly described so. The first recorded versions of the rhyme date from late eighteenth-century England and the tune from 1870 in James William Elliott's National Nursery Rhymes and Nursery Songs. Its origins are obscure and several theories have been advanced to suggest original meanings.
The character of Humpty Dumpty was popularised in the United States by actor George L. Fox (1825–77). As a character and literary allusion, he has appeared or been referred to in a large number of works of literature and popular culture, particularly Lewis Carroll's Through the Looking-Glass (1872). The rhyme is listed in the Roud Folk Song Index as No. 13026.
9. Mother Goose
The figure of Mother Goose is the imaginary author of a collection of fairy tales and nursery rhymes often published as (Old) Mother Goose's Rhymes. As a character, she appears in one nursery rhyme.[2] A Christmas pantomime called Mother Goose is often performed in the United Kingdom. The so-called "Mother Goose" rhymes and stories have formed the basis for many classic British pantomimes. Mother Goose is generally depicted in literature and book illustration as an elderly country woman in a tall hat and shawl, a costume identical to the peasant costume worn in Wales in the early 20th century, but is sometimes depicted as a goose (usually wearing a bonnet).
Mother Goose is the name given to an archetypal country woman. She is credited with the Mother Goose stories and rhymes popularized in the 17th century in English-language literature, although no specific writer has ever been identified with such a name.
17th-century English readers would have been familiar with Mother Hubbard, a stock figure when Edmund Spenser published the satire Mother Hubberd's Tale in 1590, as well as with similar fairy tales told by "Mother Bunch" (the pseudonym of Madame d'Aulnoy) in the 1690s. An early mention appears in an aside in a versified French chronicle of weekly events, Jean Loret's La Muse Historique, collected in 1650. His remark, comme un conte de la Mère Oye ("like a Mother Goose story") shows that the term was readily understood. Additional 17th-century Mother Goose/Mere l'Oye references appear in French literature in the 1620s and 1630s.
In "The Real Personages of Mother Goose" (1930), Katherine Elwes-Thomas submits that the image and name "Mother Goose" or "Mère l'Oye" may be based upon ancient legends of the wife of King Robert II of France, known as "Berthe la fileuse" ("Bertha the Spinner") or Berthe pied d'oie ("Goose-Foot Bertha" ), who, according to Elwes-Thomas, is often described in French legends as spinning incredible tales that enraptured children.
Mary Goose's gravestone in Granary Burying Ground is shown to tourists in Boston, Massachusetts
Despite evidence to the contrary,there are reports, familiar to tourists in Boston, Massachusetts, that the original Mother Goose was a Bostonian wife of an Isaac Goose, either named Elizabeth Foster Goose (1665–1758) or Mary Goose (d. 1690, age 42) who is interred at the Granary Burying Ground on Tremont Street. According to Eleanor Early, a Boston travel and history writer of the 1930s and '40s, the original Mother Goose was a real person who lived in Boston in the 1660s. She was reportedly the second wife of Isaac Goose (alternatively named Vergoose or Vertigoose), who brought to the marriage six children of her own to add to Isaac's ten. After Isaac died, Elizabeth went to live with her eldest daughter, who had married Thomas Fleet, a publisher who lived on Pudding Lane (now Devonshire Street). According to Early, "Mother Goose" used to sing songs and ditties to her grandchildren all day, and other children swarmed to hear them. Finally, her son-in-law gathered her jingles together and printed them.
Another authority on the Mother Goose tradition, Iona Opie, does not give any credence to either the Elwes-Thomas or the Boston suppositions.
10. Fairy Tale
A fairy tale is a type of short story that typically features folkloric fantasy characters, such as dwarves, elves, fairies, giants, gnomes, goblins, mermaids, trolls, unicorns, or witches, and usually magic or enchantments. Fairy tales may be distinguished from other folk narratives such as legends (which generally involve belief in the veracity of the events described) and explicitly moral tales, including beast fables. The term is mainly used for stories with origins in European tradition and, at least in recent centuries, mostly relates to children's literature.
In less technical contexts, the term is also used to describe something blessed with unusual happiness, as in "fairy tale ending" (a happy ending) or "fairy tale romance" (though not all fairy tales end happily). Colloquially, a "fairy tale" or "fairy story" can also mean any far-fetched story or tall tale; it is used especially of any story that not only is not true, but could not possibly be true. Legends are perceived as real; fairy tales may merge into legends, where the narrative is perceived both by teller and hearers as being grounded in historical truth. However, unlike legends and epics, they usually do not contain more than superficial references to religion and actual places, people, and events; they take place once upon a time rather than in actual times.
Fairy tales are found in oral and in literary form; the name "fairy tale" was first ascribed to them by Madame d'Aulnoy in the late 17th century. Many of today's fairy tales have evolved from centuries-old stories that have appeared, with variations, in multiple cultures around the world. The history of the fairy tale is particularly difficult to trace because only the literary forms can survive. Still, according to researchers at universities in Durham and Lisbon, such stories may date back thousands of years, some to the Bronze Age more than 6,000 years ago. Fairy tales, and works derived from fairy tales, are still written today.
Folklorists have classified fairy tales in various ways. The Aarne-Thompson classification system and the morphological analysis of Vladimir Propp are among the most notable. Other folklorists have interpreted the tales' significance, but no school has been definitively established for the meaning of the tales.
11. Beatrix Potter
Helen Beatrix Potter (28 July 1866 – 22 December 1943) was an English writer, illustrator, natural scientist, and conservationist best known for her children's books featuring animals, such as those in The Tale of Peter Rabbit.
Born into a privileged household, Potter was educated by governesses and grew up isolated from other children. She had numerous pets and spent holidays in Scotland and the Lake District, developing a love of landscape, flora and fauna, all of which she closely observed and painted.
Though Potter was typical of women of her generation in having limited opportunities for higher education, her study and watercolors of fungi led to her being widely respected in the field of mycology. In her thirties, Potter published the highly successful children's book, The Tale of Peter Rabbit. Potter began writing and illustrating children's books full-time.
With the proceeds from the books and a legacy from an aunt, in 1905 Potter bought Hill Top Farm in Near Sawrey, a village in the Lake District, which at that time was in Lancashire. Over the following decades, she purchased additional farms to preserve the unique hill country landscape. In 1913, at the age of 47, she married William Heelis, a respected local solicitor from Hawkshead. Potter was also a prize-winning breeder of Herdwick sheep and a prosperous farmer keenly interested in land preservation. She continued to write and illustrate, and to design spin-off merchandise based on her children's books for British publisher Warne, until the duties of land management and her diminishing eyesight made it difficult to continue.
Potter wrote about 30 books; the best known being her 24 children's tales. She died of pneumonia and heart disease on 22 December 1943 at her home in Near Sawrey at age 77, leaving almost all her property to the National Trust. She is credited with preserving much of the land that now constitutes the Lake District National Park. Potter's books continue to sell throughout the world in many languages with her stories being retold in song, film, ballet, and animation, and her life depicted in a feature film and television film.
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